A. S. Pushkin managed to overtake his era - he created an absolutely unique work, a novel in verse. The great Russian poet managed to present the image of Eugene Onegin in a very special way. The hero appears to the reader as complex and ambiguous. And its changes are manifested throughout the work in dynamics.

Onegin - a representative of high society

The description of Onegin's character in the novel "Eugene Onegin" can begin with the characteristics that A. S. Pushkin gives to his hero. These are the following "facts": firstly, Onegin is an aristocrat from St. Petersburg. As for his attitude to the people around him and his philosophy of life, the poet describes him as "an egoist and a rake." Such upbringing was cultivated in the nobility of that time. Children of high-ranking persons were given to the care of foreign educators. And by the beginning of their youth, tutors taught them basic skills, the presence of which can be traced in the main character of Pushkin's work. Onegin spoke a foreign language (“and in French perfectly ...”), knew how to dance (“he danced the mazurka easily”), and also had well-developed etiquette skills (“and bowed at ease”).

Surface education

At the beginning of the work, Onegin is described through the author's narration. Pushkin writes about the mental illness that befell his hero. Describing the character of Onegin in the novel "Eugene Onegin", it can be emphasized that the root cause of this "spleen" may well be the conflict that characterized Onegin's relationship with society. After all, on the one hand, the main character obeyed the rules established in the noble society; on the other hand, he internally rebelled against them. It should be noted that although Onegin was educated, this education did not differ in particular depth. “So that the child would not be exhausted, he taught him everything jokingly,” a tutor from France. In addition, Onegin can be called a seducer. After all, he knew how to "appear new, jokingly amaze innocence."

Main features at the beginning of the work

Onegin is a very controversial personality. On the one hand, his unsightly qualities of character are selfishness and cruelty. But on the other hand, Onegin is endowed with a fine mental organization, he is very vulnerable, and has a spirit striving for true freedom. It is these qualities that are the most attractive in Onegin. They make him another "hero of our time." Acquaintance with the main character occurs in the first chapter, during his irritated and bilious monologue. The reader sees a "young rake" who does not see value and meaning in anything, is indifferent to everything in the world. Onegin is ironic about his uncle's illness - after all, she tore him away from social life, but for the sake of money he is able to endure "sighs, boredom and deceit" for some time.

Life of Onegin

Such education was characteristic of the representatives of his circle. The character of Onegin in the novel "Eugene Onegin" at first glance may seem frivolous. Onegin in a conversation could easily quote a few verses or Latin phrases, and his daily life took place in a completely monotonous environment - balls, dinners, theater visits. The poet presents the life of the main character of the work by describing Onegin's office, whom he calls "a philosopher at eighteen." On the table at the main character next to Byron there is a column with a doll, as well as a large number of various toiletries. All this is a tribute to fashion, hobbies, aristocratic habits.

But most of all, the soul of the protagonist is occupied by the "science of tender passion", which can also be mentioned in the description of Onegin's character in the novel "Eugene Onegin". However, after meeting his main character, Pushkin warns readers that one should not be tempted to perceive Onegin as a "dummy" - he is not like that at all. All the secular surroundings and the usual way of life do not arouse any enthusiasm in the protagonist. This world bored Onegin.

Blues

The life of the protagonist was completely calm and cloudless. His empty existence was filled with entertainment and concern for his own appearance. The main character is taken over by the "English spleen", or the Russian melancholy. Onegin's heart was empty, and his mind finds no use for itself. He was disgusted not only with literary work. The protagonist takes up a book, but reading does not give him any pleasure. After all, Onegin was disappointed in life, and he is not able to believe the book. The protagonist calls the apathy that has taken possession of him "disappointment", willingly covering himself with the image of Childe Harold.

However, the main character does not want and does not know how to really work. At first, he tries himself as a writer - however, he does this work "yawning", and soon puts it aside. And such boredom pushes Onegin to travel.

Onegin in the village

In the village, the main character again managed to "perk up". He is happy to observe the beauties of nature, and even makes attempts to make life easier for the serfs by changing the heavy corvée to a "light tax". However, once again Onegin is overtaken by his tormentor - boredom. And he discovers that in the village he experiences the same feelings as in the aristocratic capital. Onegin wakes up early, swims in the river, but still he gets bored with this life.

Turning acquaintance

However, the scenery changes after the main character meets Lensky, and then the Larin sisters, who live next door. Close interests and good upbringing allow Onegin to get closer to Lensky. The protagonist draws attention to his older sister, Tatyana. And in her sister, Olga (who was Lensky's lover), Onegin sees only "the lifelessness of features and soul." Tatyana's character traits in the novel "Eugene Onegin" contrast her with the main character. She is close to folk life, despite the fact that she does not speak Russian well.

Her best features were brought up by a nanny, who conveyed to Tatyana the concept of moral duty, as well as the foundations of the people's worldview. The integrity of Tatyana's character in the novel "Eugene Onegin" is manifested in the courage with which she makes a confession to her lover, as well as in the nobility of her intentions, fidelity to the marital oath. Onegin's rebuke makes her more mature. The heroine changes outwardly, but retains the best qualities of character.

As for the character of Olga in the novel "Eugene Onegin", the poet assigns a secondary role to this heroine. She is pretty, but Onegin immediately sees her spiritual emptiness. And this character very quickly causes rejection in an impressionable reader. In the image of Olga, the great Russian poet expresses his attitude towards the windy girls of his era. About their portrait, he says this: "I used to love him myself, but he bored me immensely."

The character of Lensky in the novel "Eugene Onegin"

Lensky appears before the reader as a freedom-loving thinker who was educated at one of the European universities. His poetry is fanned by the spirit of romanticism. However, Pushkin hastens to warn the reader that in reality Lensky remains an ignoramus, an ordinary Russian landowner. Although he is cute, he is not very refined.

Hero's Integrity

Onegin rejects Tatyana's feelings. He responds to all her love confessions with a rude rebuff. At this point in time, Onegin does not need the sincerity and purity of feelings of a village girl. However, Pushkin justifies his hero. Onegin was distinguished by decency and honesty. He did not allow himself mockery of the feelings of another person, of his naivety and purity. In addition, the reason for Larina's refusal was the coldness of Onegin himself.

Duel with Lensky

The next turning point in revealing Onegin's character is his duel with Lensky. But in this case, Onegin does not demonstrate nobility, preferring not to refuse a duel, the outcome of which was predetermined. Above Onegin's decision, like a sword of Damocles, hung the opinion of society, as well as the perversion of the values ​​that existed in that environment. And the main character does not open his heart to the feeling of true friendship. Lensky dies, and Onegin regards this as his own crime. And the senseless death of a friend awakens the "soul sleep" of the protagonist. The character of Eugene Onegin in the novel "Eugene Onegin" changes: he understands how lonely he is, and his attitude to the world takes on other shades.

Re-meeting with Tatiana

Returning to the capital, at one of the balls the protagonist again meets "the same Tatyana." And his charm knows no bounds. She is a married woman - but only now Onegin is able to see the kinship of their souls. In love for Tatyana, he sees the possibility of his spiritual resurrection. In addition, Onegin learns that her love for him is also still alive. However, for the main character, the thought of a possible betrayal of her lawful husband turns out to be completely unacceptable.

In her soul there is a duel between feelings and duty, and it is resolved not in favor of love passions. Tatyana leaves Onegin on his knees alone. And the poet himself also leaves his hero during this scene. How his life will end remains unknown. Studies of literary critics and historians show that the poet planned to "send" Onegin to the Caucasus, or turn him into a Decembrist. However, this remained a secret, which was burned along with the final chapter of the work.

The author of the novel and its protagonist

The versatility of the characters in the novel "Eugene Onegin" is revealed in the process of plot development of the poem. Describing the events that took place in the work after Onegin's duel with Lensky, Pushkin includes a small mention of a young townswoman in the text. She asks what happened to Olga, where is her sister now, and what about Onegin - where is "this cloudy eccentric"? And the author of the work promises to tell about it, but not now. Pushkin deliberately creates the illusion of authorial freedom.

This technique can be seen as the idea of ​​a talented storyteller who has a casual conversation with his readers. On the other hand, this is how Pushkin can be described as a true master who is fluent in the chosen manner of presenting the work. The author of the work acts as one of the characters in the novel only in relation to Onegin himself. And this indication of personal contacts will distinguish the main character from other characters. Pushkin mentions the "meeting" with Onegin in the capital, describes the first embarrassment that seized him during this meeting. Such was the manner of communication of the protagonist - caustic jokes, bile, "the anger of gloomy epigrams." Pushkin also informs the reader about the general plans to see "foreign countries" with his main character.

"Eugene Onegin" rightfully stands apart among the works of Russian literature of the 19th century. This is one of the most harmonious in composition and rich in content of Pushkin's works.

Thanks to the expression of the emotions of the characters through the poetic form, the novel gets more lyricism and expressiveness, thus, the reader becomes understandable and accessible to the whole palette of feelings that the author laid in the foundation. In addition, Pushkin introduces himself into the novel as one of the heroes of the story, he keeps Tatyana's letter and meets with Onegin in St. Petersburg. There are many lyrical digressions in the novel, where Pushkin shares his thoughts and experiences with the reader, as if alienating himself from the course and the main line of the story.

According to the description, the actions in the novel cover a period of time for 6 years. In the process of narration, the characters grow up, go through some life path and turn from dreamy young men and women into mature, established personalities.

History of creation

(Drawing by A.S. Pushkin in the manuscript "Eugene Onegin", 1830)

Alexander Sergeevich devote more than 8 years to his offspring: having started work on a novel in verse in the spring of 1823, he completed the work only by the autumn of 1831. This was the most painstaking and lengthy work on a work in his life.

He then quit work on "Eugene Onegin", then again proceeded to it. Conventionally, the work on the novel can be divided into four stages, during which many events happened in Pushkin's life: the southern exile, the Boldin autumn, and a series of stormy novels. All chapters were published gradually, as they were written, one after another. The last author's version saw the light in 1837.

Analysis of the novel

The main plot of the work

The plot is based on a love line: young Tatyana Larina falls in love with the bright extraordinary personality of Eugene Onegin. Still quite young, he is already tired of the noisy fuss and tinsel surrounding him, and calls his soul cooled. A young girl in love decides to take a desperate step and writes a letter of confession, where, with the ardor characteristic of her youthful nature, she pours out her soul to Eugene and expresses hope for the opportunity romantic relationship between them. The hero does not reciprocate Tatyana, which hurts her very much. A decisive explanation takes place between the young people, and Onegin gently tells Tatyana that his callous soul is no longer able to love, even such a young and beautiful girl as Tatyana. Later, when Larina becomes a married woman and, it would seem, finds quiet family happiness, the paths of the heroes cross again. Onegin understands what a terrible mistake he made, but, unfortunately, it is no longer possible to fix anything. Tatyana pronounces her famous "... but I am given to another, and I will be faithful to him for a century ...", which puts an end to the failed love story.

A lot of mistakes that people tend to make, especially in their youth, prevented young heroes from being together, despite their mutual love. Only after going through a series of emotional upheavals, Onegin realizes that Tatyana is the same girl with whom he could be very happy, but, as usual, he understands this too late. All this, of course, makes the reader think about whether he is making a similar mistake. And, perhaps, it immerses you in memories of past sad experiences or makes you relive passionate and tender first feelings.

main characters

One of the main characters is Eugene Onegin. A reserved young man with a complex character. The author deliberately does not idealize his image, endowing him with all the shortcomings that are usually inherent in a real person. Since childhood, he did not know the need for anything, being the son of a St. Petersburg nobleman. His soul did not gravitate to work, was pampered by novels, balls and scientific works of his favorite authors. His life was as empty as that of a million of the same lordly offspring of that time, filled with revelry and debauchery, senseless burning of life. As usual, as a result of this lifestyle, Eugene became a real callous egoist, thinking only about his own pleasures. He does not put a penny on other people's feelings and easily offends a person if he does not like him or utters a phrase that is inappropriate in his opinion.

Meanwhile, our hero is not without positive traits: for example, throughout the entire novel, the author shows us how much Onegin gravitates towards science and knowledge. He is constantly in search of what can replenish and expand his consciousness, studies the works of philosophers, conducts intellectual conversations and disputes. In addition, unlike his peers, he very quickly gets bored with the fuss of balls and senseless pastime. Very soon, the reader can observe his personal growth, while his friends inevitably degrade one by one, turning into flabby landowners.

Despite his disappointment and dissatisfaction with the way of life that he is forced to lead, he lacks the mental strength and motivation to break this vicious circle. He did not grab onto that saving straw that the pure and bright girl Tatyana holds out to him, declaring her love.

The turning point in his life is the murder of Lensky. At this moment, Onegin's eyes open, he understands how insignificant all his former existence is. From a sense of shame and remorse, he is forced to flee, and sends him to conquer the expanses of the country in the hope of hiding from the “bloody shadow” of his murdered friend.

From a three-year voyage, he returns a completely different person, mature and conscious. Having met Tatyana again, who was already married at that time, he realizes that he has feelings for her. He sees in her an adult intelligent woman, an excellent companion and a holistic mature nature. He is amazed at her grandeur and secular coldness, not recognizing in her that timid and gentle country girl, as he knew her before. Now she is a loving wife, tactful and benevolent, restrained and calm. He falls in love with this woman without memory, and he is mercilessly rejected by her.

This served as the finale of the novel, the further life of Onegin and Tatiana remain unknown to the reader. Pushkin does not give any answer to questions about whether Eugene was able to reconcile and forget his love and how did he spend his subsequent days? Was Tatyana happy in the future married to an unloved man? All this remained a mystery.

No less important image described in the novel is the image of Tatyana Larina. Pushkin describes her as a simple noblewoman from the provinces. A modest young lady, not endowed with special beauty and external attractiveness, however, she has a surprisingly deep, multifaceted inner world. Her romantic poetic nature captivates the reader and makes her sympathize and empathize with her suffering from the first to the last line. Pushkin himself more than once confesses his love for his fictional heroine:

« Forgive me: I love so much

My dear Tatiana!

Tanya grows up as a rather closed, immersed in her own feelings, closed girl. Books became her best friends very early, in them she looked for answers to all questions, through the pages of novels she learned life. All the more strange for the reader is Tatyana's unexpected impulse and her frank letter to Onegin. Such behavior is not at all characteristic of her character and indicates that the feelings that flared up for Eugene were so strong that they overshadowed the mind of a young girl.

The author makes us understand that even after the refusal, and after the long departure of Onegin, and even after marriage, Tanya does not stop loving him. However, the great nobility and self-esteem does not give her the opportunity to throw herself into his arms. She respects her husband and protects her family. Renouncing Onegin's feelings, she manifests herself as an exceptionally reasonable, strong and wise woman. Duty is above all for her, and this decision of hers makes the reader feel deep respect for the heroine. The suffering and later repentance of Onegin is the natural ending of his lifestyle and actions.

(Illustration by K. I. Rudakov "Eugene Onegin. Meeting in the garden", 1949)

In addition to the main characters, the novel describes many secondary characters, but no one else receives such a vivid description as Tatyana and Onegin. Unless the author pays some attention to Lensky. With bitterness, he describes his tragic fate with an unfair ending. Pushkin characterizes him as an exceptionally pure young man, with an unsullied reputation and high moral character. He is talented and impetuous, but at the same time very noble.

Quotes

“But in what he was a true genius, what he knew more firmly than all sciences, what was for him from childhood and labor, and torment, and joy, what occupied his yearning laziness all day, was the science of tender passion ...” -Onegin is characterized as "fun and luxury child"

“The time has come, she fell in love ...
For a long time her imagination
Burning with grief and longing,
Alkalo fatal food;
Long hearted languor
Pressed her young breasts:
The soul was waiting for ... someone. —Tatyana on the eve of the meeting with Onegin.

They agreed. Water and stone
Poetry and prose, ice and fire
Not so different from each other ... "-Contrast and contradictions of young characters.

Conclusion

The description of nature in the novel stands apart: the author devotes a lot of time to it. We can find beautiful pictures on the pages of the novel that recreate before our eyes Moscow, St. Petersburg, Crimea, Odessa, the Caucasus and, of course, the wonderful nature of the Russian hinterland. Everything that Pushkin describes is ordinary pictures of the Russian village. At the same time, he does it so masterfully that the pictures created by him literally come to life in the reader's imagination, fascinate him.

Despite the disappointing ending of the novel, it cannot be called pessimistic at all. On the contrary, the abundance of bright living moments makes the reader believe in a wonderful future and look into the distance with hope. There are so many bright, real feelings, noble impulses and pure love that the novel is more capable of bringing the reader to positive emotions.

The whole composition of the novel is built surprisingly harmoniously, which is surprising, given the long breaks with which the author again began to work on it. The structure has a clear, slender and organic structure. Actions flow smoothly from one another, throughout the whole novel, Pushkin's favorite technique is used - a ring composition. That is, the place of initial and final events coincides. The reader can also track the specularity and symmetry of the events taking place: Tatyana and Evgeny find themselves in similar situations several times, on one of which (Tatyana's refusal) the action of the novel is interrupted.

It is worth noting that not a single love story in the novel has a successful ending: like her sister Tatyana, Olga Larina was not destined to find happiness with Lensky. The difference between the characters is shown through the opposition: Tatyana and Olga, Lensky and Onegin.

Summing up, it is worth noting that "Eugene Onegin" is truly a confirmation of Pushkin's remarkable poetic talent and lyrical genius. The novel is read literally in one breath and captures from its first line.

Eugene Onegin

The main character of the work is Eugene Onegin, presented by the author in the form of a twenty-six-year-old young rich St. Petersburg nobleman. The hero is described in the novel as an educated fashion dandy, fluent in French and a little Latin, having decent manners, leading an idle lifestyle, without a position, loving pastime at parties and theatrical performances. The characteristic features of Onegin, the poet is called indifference, coldness, causticity and slander, expressed in his sharp, chilled mind, contemptuous attitude towards people and constant boredom everywhere and everywhere. A distinctive feature of Eugene Onegin is the lack of the ability for a deep, true feeling of love, being an experienced heartthrob who won the heart of Tatyana Larina.

Tatyana Larina

The second main character of the work is Tatyana Larina, depicted in the novel as a simple seventeen-year-old girl, who comes from a poor noble family and lives in the Russian outback. The girl is well educated, but at the same time she speaks poorly in Russian, since she has been brought up to communicate in French since childhood, although she is very fond of reading and contemplating the surrounding nature. Tatyana has an unremarkable appearance, although she has a peculiar special charm. By nature, Tatyana is described as an intelligent, strong-willed, stubborn woman, who combines silence, detachment, daydreaming and great imagination. Tatyana, having met Onegin, has a sincere and pure feeling for the young man, but it does not find reciprocity in Eugene. Subsequently, Larina agrees to marry the prince, with whom the girl's life is built on mutual respect, loyalty and honesty.

Vladimir Lensky

One of the main characters of the novel is presented by the author Vladimir Lensky, described as a young, black-haired, handsome nobleman of eighteen years old, who received a German education, and is a friend and neighbor of Eugene Onegin. Lensky is well brought up, plays chess, plays music, writes poetry. Vladimir is distinguished by dreaminess, combined with a passion for philosophy, romanticism, an ardent, enthusiastic character, expressed in his naivety, gullibility, innocence, faith in goodness. Lensky has the ability for sincere, tender feelings for a woman and true friendship. At the end of the work, Vladimir dies, being struck by Onegin's shot in a duel over Lensky's bride Olga Larina, who after a while becomes the wife of another person.

Olga Larina

Olga Larina is one of the main characters of the novel, the younger sister of Tatyana Larina, a lovely fair-haired girl with blue eyes, beautiful shoulders, graceful breasts and a sonorous voice. Olga has a cheerful, lively, carefree, playful disposition, distinguished by windiness, playfulness, sociability, rustic stupidity. Olga's inability to deliberate actions and her passion for female coquetry cause the death of Vladimir Lensky, who passionately loved Olga Larina and is considered her fiancé.

Tatyana's husband

The secondary hero of the work is the husband of Tatyana Larina, depicted as a prince, who is an old friend and distant relative of Onegin, with whom they have fun together during their youth.

Praskovya's mother

Also, the secondary characters of the novel are members of the Larinsky family, including the girls' father Dmitry Larin, mother Praskovya, and nanny Filipyevna. The Larina spouses live a happy family life, as they are distinguished by reasonableness, wisdom and a kind attitude towards each other and others. Filipyevna is portrayed as a good-natured peasant woman who, at the early age of thirteen, married without love at the behest of her parents.

Princess Alina and Zaretsky

The secondary characters of the work are presented by the poet Princess Alina, who is the cousin of the Larin sisters, an old, sick woman whose family stays when they arrive in Moscow for the brides fair, despite the indisposition of the lady who loves to arrange dinner parties, as well as Lensky's second in a duel, depicted in the image of his friend, Mr. Zaretsky, who has extensive experience in conducting duels, is distinguished by common sense, a sharp mind, but at the same time possesses an evil tongue, expressed in bad gossip, prudence, and cunning. In his youth, Zaretsky manifests himself as a brawler, a gambler and a rake, who remained an old bachelor for life, but at the same time having numerous illegitimate children from serfs. As time passes, Zaretsky changes and, at the end of his life, he is engaged in teaching his children and calm housekeeping.

Option 2

There are many characters in the novel. The main characters of the novel are Eugene Onegin and Tatyana Larina.

Eugene Onegin- the nephew of a rich uncle who came to his village. Uncle soon died and left Eugene a decent inheritance. Onegin was born in St. Petersburg, a nobleman, he is 26 years old. Leads an idle lifestyle - balls, visits to theaters, dinner parties. Nothing is known about the mother, the father squandered the family fortune. Onegin was brought up at home - at first there was a governess, then she was replaced by a French tutor. No one was particularly interested in how he raised the boy.

He did not punish him much, slightly scolded. He took me for a walk in the Summer Garden. So such a young rake grew up. Dressed in the latest London fashion. Onegin early learned to manipulate women - to be hypocritical, harbor hope, portray jealousy. It cannot be said that he was a stupid young man - he read the works of the utopian socialist Adam Smith. But he did not understand poetry and prose - he could not distinguish iambic from trochaic.

Tatyana Larina - lives in the village with his parents and sister. She is 17 years old when she first meets Onegin. She does not have a bright attractive appearance, but she is beautiful in soul. Tatyana, unlike Onegin, reads romantic novels about love and dream books, which were so popular at that time. She believes in fortune-telling, carols at Christmas time, in winter she rides down the hills on a sled.

Minor Heroes

Vladimir Lensky - village neighbor of Onegin and the Larins. He is also a young nobleman, he is only 18 years old, a poet and a romantic. Handsome and rich. Studied Immanuel Kant's philosophy and poetry in Germany. He is in love with Tatiana's sister Olga. Tragically dies in a duel at the hands of Onegin.

Praskovya Larina- the mother of Tatyana and Olga, a landowner. She manages the name herself, salts mushrooms for the winter, shaves the foreheads of serfs. She married Dmitry Larin not for love. At first, I even wanted to lay hands on myself. But then she fell in love with her husband, learned to manage him and calmed down.

Dmitry Larin- father of Olga and Tatyana. By the beginning of the events described in the novel, he had already died. He did not like to read, but he did not see much harm in it. He loved his wife, in every possible way indulged her whims. In practice, the wife managed both the estate, and the serfs, and them.

Olga Larina- Tatiana's sister. Pretty blonde. For Lensky, she is the female ideal. Because of her frivolous behavior, Onegin and Lensky quarreled. Vladimir challenged Evgeny to a duel. After the death of Vladimir Lensky, she married a lancer.

Filipievna- a serf woman of advanced age who nursed Tatyana. She was forcibly married to a boy, Vanya, who was 13 years old.

Zaretsky- a neighbor of the Larins and Onegin, in his youth a drunkard, a player, a reveler. A smart and prudent person. He has illegitimate children. It was he who pushed Lensky to a duel. And acted as his second.

Princess Alina- a relative of Praskovya Larina, living in Moscow. It is at her place that the Larins stop when they come to the bride fair.

Tatyana's husband, Prince N- a wounded general, a participant in the war with Napoleon Bonaparte. He was favorably treated at court. Husband of Tatyana Larina.

guillo- Onegin's servant. He agreed to be Onegin's second.

Heroes of the work of Eugene Onegin

The novel "Eugene Onegin" is a pearl of the works of A.S. Pushkin. The work is moralizing and the images of the characters show what is good and bad. In creation, all attention is paid not only to the central characters, but also to secondary ones. There are no bad or good characters here, they are all ambiguous and not subject to harsh criticism.

The main characters are Tatiana Larina and Eugene Onegin.

Onegin is a young rich nobleman, lives in St. Petersburg, he, like all the nobility of the capital, spends his time at balls, in the theater and looking for new entertainment. In the novel, he is about 26 years old, carefully monitors his appearance, dresses in fashion. Despite the idle life, he does not feel satisfaction, he is constantly sad. Onegin has gained fame as a womanizer, he is not a stupid young man, he has many talents, but in society he is considered only sweet and smart. Eugene is an egoist, he is dependent on public opinion, he does not appreciate those close to him. His sincerity lies only in longing and indifference. For fear of falling in the eyes of society, he kills a friend.

Tatyana Larina is the daughter of a provincial nobleman. For Pushkin, she became the embodiment of the Russian national character. She is quiet and calm, prefers books to noisy companies. Alone with herself, she feels more comfortable. She is about 17 years old, her beauty is discreet, she dresses simply. Despite modesty, having fallen in love with Onegin, he takes the first step. As a result, having been refused, she pulls herself together and begins to live anew, marrying a worthy, but unloved man. Two years later, she has the strength to refuse Onegin, despite her love. After all, she is faithful to her husband.

The minor characters are no less important in this work.

Vladimir Lensky is a young and wealthy nobleman. Onegin's best friend and his complete opposite. Vladimir is a dreamer, he believes in love, kindness and friendship. Since childhood, he has been in love with Olga Larina, the youngest of the sisters. Despite the great popularity among girls, Vladimir wants to marry Olga, writes and dedicates poetry to her. Lensky was jealous of the younger Larina for Onegin, and as a result, he died at the hands of a friend in a duel.

Olga Larina is Tatyana's younger sister, her opposite. She is a beautiful coquette, her character is not endowed with depth. The younger Larina is cheerful, windy and carefree. As a result of her windiness and playfulness, Lensky dies in a duel. Olga briefly mourns him and marries a young officer.

Praskovya Larina is the mother of Tatyana and Olga. In her youth, she was a dreamy person. She loved one sergeant, but she was given in marriage to another. At first, she could not come to terms with this, but over time she got used to married life and learned to carefully manage her husband.

Nanny of Tatyana Filipyevna. A kind old woman, from infancy takes care of the elder Larina, teaches her life stories and protects her in every possible way.

Prince N is Tatyana's husband, his life is devoted to the service of the Motherland. He loves Tatyana and is ready for anything for her.

Zaretsky neighbor and friend of Lensky and Onegin. Zaretsky is not stupid, but cruel and indifferent. After a stormy youth, he lives on his estate, no wife, but there are illegitimate children from peasant women. He was a second in a duel with Lensky. He can be considered the most negative hero, because it was in his power to stop the duel and reconcile friends.

Princess Alina is the sister of Praskovya Larina. Lives in Moscow, hosts the Larins when they come to the bride fair. She is an old maid herself, as she has never been married. Despite his old age, he continues to arrange receptions in his house.

A timeless novel, this is one of the greatest works, it has been popular in writing to this day.

Sample 4

The protagonist of the novel in verse by Alexander Pushkin is Eugene Onegin. This is a young nobleman from St. Petersburg. He meets all the requirements of a representative of the high society of that time. Eugene looks perfect: dressed in the latest fashion, beautifully cut. In society, he is considered a pleasant conversationalist for the ability to maintain a conversation on various topics, although he does not shine with special knowledge. Onegin is witty, fluent in French and dances well. He leads an idle life, knows all the secrets of seducing ladies and enjoys great success with them. At the same time, this is a man sated with life, cold on emotions. Idleness and monotony weigh on him. Onegin goes to the village to visit a seriously ill uncle and after his death takes over the rights of the owner of a rich estate, learns to manage the estate. He meets a young neighbor, Lensky, and they become inseparable friends, although they are completely different in character. Offended because of a trifle at a friend, Onegin, in spite of him, courts his bride at the ball. A conflict between friends leads to tragedy. Onegin kills Lensky in a duel. Eugene is shocked by a terrible event and goes abroad.

Tatyana Larina is the daughter of a provincial landowner who lives in the wilderness, in the countryside. This is an inconspicuous, modest, thoughtful girl. She leads a solitary life and has no girlfriends. Tatyana learns the world through French novels and has a subtle sensitive nature. Having met Onegin, the girl falls in love with him without memory. He pays no attention to Tatyana. This forces her to be the first to confess her love to Eugene, which was completely unacceptable at that time. The sadder for Tatyana is the refusal on his part. A few years later they meet Onegin at a ball. Now she is a luxurious, self-confident secular lady. Unites her with the former naive girl - the nobility of the soul and deeds. She still loves Onegin, but refuses him a relationship, remaining faithful to her husband.

Vladimir Lensky is a wealthy neighbor of the Larins and Onegin. This is a young handsome man with shoulder-length black curls, who was educated in Germany. He is a romantic poet, with a pure and naive soul, believing in people. Vladimir has not yet been corrupted by the intrigues of high society. He has known Olga Larina since childhood and is in love with her. Their wedding is to take place in two weeks, but the young man's life is cut short by a duel from Onegin's shot.

Olga is the younger sister of Tatyana Larina. This is a lovely flirtatious young lady. She is full of life, cheerful and carefree. Olga's frivolous behavior causes jealousy in her fiancé Lensky and leads him to death. The girl does not grieve for long and marries a lancer.

Praskovya Larina is the mother of Tatyana and Olga. In her youth, Praskovya was in love with a sergeant, but she was forcibly married to Dmitry Larin and taken to the village. At first she cries and misses, but gradually gets used to her husband and village life. She takes the reins of government in the family and manages not only the estate, but also her husband, who loves her endlessly and obeys in everything. Their life is measured and calm. They honor and observe folk traditions, sometimes they receive guests in the evenings. Already in old age, Praskovya becomes a widow.

Eugene Onegin is one of the first images of the "superfluous person" in Russian literature.

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One of the most famous works of A. S. Pushkin both in Russia and abroad is his novel in verse "Eugene Onegin", written in the period from 1823 to 1830 of the 19th century. In many ways, the enduring popularity of the novel is due to its status as an integral part of the compulsory school curriculum. To write a high-quality essay on a work, we advise you to read the novel, perhaps at first not in one gulp, excerpts, but use quotes from Eugene Onegin to show that you really know the material.

Eugene Onegin

Eugene Onegin. Explanation with Tatyana in the village

The story is told on behalf of a friend of the protagonist of the novel, who is Eugene Onegin, a native of St. Petersburg, 26 years old:

“... Onegin, my good friend, was born on the banks of the Neva ...”

"... having lived without a goal, without labor, until the age of twenty-six ..."

Onegin was born into a noble family, which gradually went bankrupt through the fault of the head of the family, who strove to live beyond his means, but provided his son with a worthy upbringing, by the standards of that time:

“... His father lived in debt, gave three balls annually, and finally squandered”

“... first Madame followed him, then Monsieur replaced her”

"... having fun and luxury a child ..."

The result of Eugene's upbringing and education was his knowledge of languages ​​​​(French, Latin, Greek), history, the basics of philosophy and economics, good manners, the ability to dance:

“He was perfectly able to speak and write in French, he danced the mazurka easily and bowed at ease”

"... a philosopher at eighteen..."

“He knew enough Latin to parse epigraphs, talk about Juvenal, put vale at the end of the letter, but he remembered, though not without sin, two verses from the Aeneid”

“... days of the past, anecdotes from Romulus to the present day he kept in his memory”

"... read Adam Smith and was a deep economy ..."

Eugene does not like and does not understand poetry; on occasion, he can easily compose an epigram on the topic of the day:

“... He could not distinguish an iambic from a chorea, no matter how hard we fought, to distinguish. Scolded Homer, Theocritus ... "

"... He had a happy talent ... to excite the smile of ladies with the fire of unexpected epigrams."

Onegin is distinguished by restlessness, in principle he cannot do anything for a long time:

"... hard work was sickening to him ..."

"... cut in the latest fashion, like a London dandy dressed ..."

“... There was a pedant in his clothes, and what we called a dandy. He spent at least three hours in front of the mirrors ... "

All these qualities of the character become the key to a favorable attitude towards him in the world:

“Onegin was in the opinion of many ... a small scientist, but a pedant ...”

"The light decided that he was smart and very nice"

A life full of entertainment quickly bores the main character, for some time the only passion of Eugene is love adventures, but they gradually bother him:

“But in what he was a true genius, what he knew more firmly than all sciences, what was for him from childhood and labor, and torment, and joy, what occupied his yearning laziness all day, was the science of tender passion ... "

“... The beauties were not for long the subject of his usual thoughts, they managed to tire the betrayals ...”

“... He no longer fell in love with beauties, but dragged himself somehow ...”

“Similar to the English spleen, in short: the Russian melancholy took possession of him little by little ...”

Despite the fact that society as a whole is bored with the protagonist, he takes into account his rules, which ultimately cost Lensky his life, because, even realizing the senselessness and uselessness of the duel, Onegin cannot refuse it:

"...but wildly secular enmity is afraid of false shame..."

“... but the whisper, the laughter of fools ... And here is public opinion! Spring of honor, our idol!

At the time of the story, the young man is the last heir to the family, to which he and his uncle belong:

"... Heir to all his relatives ..."

Despite the father’s squandered fortune, the material values ​​​​remaining in the family are apparently enough to provide the protagonist with a comfortable existence without the need to serve, lead a secular lifestyle:

“Lagging in the inactivity of leisure, without service, without a wife, without work, he did not know how to do anything ...”

"... three houses are calling for the evening ..."

"... an honorary citizen backstage ..."

Onegin is rather prudent. Upon learning of the imminent death of his uncle, Onegin does not feel sympathy for him, but he is quite ready to pretend to be such in order to receive an inheritance:

“Having read the sad message, Yevgeny immediately galloped headlong to the rendezvous by mail and already yawned in advance, getting ready, for the sake of money, for sighs, boredom and deceit.”

His behavior in society becomes more and more distant and impolite:

“... when he wanted to destroy his rivals, as he sarcastically slandered ...”

"... to his caustic dispute, and to the joke, with bile in half, and the anger of gloomy epigrams ..."

“... he pouted and, indignantly, swore Lensky to infuriate and take revenge in order ...”

Gradually, the opinion of society about Onegin is transformed:

"... cold and lazy souls ..."

"...this cloudy eccentric..."

"... an eccentric sad and dangerous ..."

“Our neighbor is ignorant; crazy; he is a pharmacist…”

“He doesn’t fit the ladies’ hand…”

He perceives himself as a gloomy and indifferent person, even trying to exaggerate, speaking about his own person:

“... always frowning, silent, angry and coldly jealous! That's me"

“... Start crying: your tears will not touch my heart, but will only infuriate it ...”

“... No matter how much I love you, once I get used to it, I will immediately stop loving you ...”

However, in this image there is a lot of ostentation, panache. Onegin knows how to understand people and appreciate them:

“... although he, of course, knew people, and generally despised them, but (there are no rules without exceptions) he distinguished others very much and respected the feelings of others ...”

“... my Eugene, not respecting the heart in him, loved both the spirit of his judgments and a common sense about this and that”

“I would choose another when I was like you, a poet ...”

Even his “rebuke” to young Tatyana is caused by his unwillingness to cause her even more suffering than the pain of refusal:

“... but he did not want to deceive the gullibility of an innocent soul ...”

He tries to be delicate with her and tries to warn the girl against careless impulses in the future, although there is still a share of panache and narcissism in his words:

“Learn to rule yourself; not everyone will understand you like me; inexperience leads to trouble ... "

In fact, he is quite capable of experiencing compassion and tenderness:

"... her embarrassment, fatigue in his soul gave birth to pity"

“... the gaze of his eyes was wonderfully gentle ...”

In relations with Lensky, realizing that they are too different for true friendship, Onegin for the time being spares the feelings of the poet and does not try to ridicule his enthusiastic ideas about life:

“... He tried to keep a cooling word in his mouth ...”

In his character there is both nobility and self-esteem, and those around him recognize this:

"... I know: in your heart there is both pride and direct honor"

“How can your heart and mind be the feelings of a petty slave?”

“... in that terrible hour you acted nobly ...”

“... not for the first time he showed his soul direct nobility here ...”

In the course of the work, it becomes obvious that Eugene knows how to love and suffer:

"... Eugene is in love with Tatyana like a child ..."

“... Onegin dries up - and almost suffers from consumption”

“... He drives up every day; he follows her like a shadow…”

“... but he is stubborn, does not want to lag behind, still hopes, is busy ...”

Onegin can be really strict with himself:

“…alone with his soul, he was dissatisfied with himself…”

“... in a strict analysis, calling himself to a secret court, he accused himself of many things ...”

"In the anguish of heart remorse ..."

Able to admit his mistakes:

"... how wrong I was, how punished"

Tatyana Larina

Tatyana Larina. Explanation with Onegin in St. Petersburg

A girl from a noble family living in the provinces:

"...in the wilderness of a forgotten village..."

The family is poor:

“… we don’t shine with anything…”

"...a simple, Russian family..."

“…oh, my father, the income is not enough…”

“Neither the beauty of her sister, nor the freshness of her ruddy face, would she have attracted the eyes”

In childhood, she was very different from her peers and behavior:

“Dika, sad, silent, like a forest doe is timid, she seemed like a stranger in her own family”

“She didn’t know how to caress ...”

“Child herself, in a crowd of children she didn’t want to play and jump ...”

“But even in these years Tatyana did not take dolls in her hands ...”

“And there were childish pranks alien to her ...”

In her youth she is dreamy and thoughtful:

"Reverence, her friend ... adorned the flow of rural leisure with dreams"

“... terrible stories in winter in the darkness of nights captivated her heart more ...”

“She liked novels early…”

“She loved to warn the sunrise on the balcony ...”

She keenly feels her otherness:

"Imagine: I'm alone here, no one understands me..."

The girl is quite smart, though wayward:

"... With the mind and will of the living ..."

"... And a wayward head..."

Tatyana has a very developed intuition, to the point that she has prophetic dreams:

“... suddenly Eugene grabs a long knife, and Lensky is instantly defeated ...”

Romantic and enthusiastic, she fell in love with Onegin at first sight only because:

"The time has come, she fell in love"

"The soul was waiting ... for someone"

Her letter to Eugene is written in French, in a very exalted tone, with grandiloquent "book" turns:

“I know you were sent to me by God, until the grave you are my keeper…”

“That in the highest council is destined ... That is the will of heaven: I am yours ...”

“Your wonderful look tormented me…”

“Who are you, my guardian angel, or an insidious tempter…”

In fact, she writes not to a living person, but to an invented image, and in the depths of her soul she herself understands this:

“Perhaps this is all empty, a deception of an inexperienced soul!”

"But your honor is my guarantee..."

However, credit must be given to her courage. She writes, despite the fact that she is infinitely afraid:

“I’m dying of shame and fear…”

Over time, it turns out that the love that Tatyana feels for Eugene is not an easy, quickly passing love:

"... Tatyana loves not jokingly ..."

She not only cherishes unhappy love in her soul, but tries to understand Onegin's character, comes to his abandoned village house, reads his books:

"Can't you see the manor's house?"

“Then I took up books”

“... the choice of them seemed strange to her”

“And little by little my Tatyana begins to understand ... the one for whom she is condemned to sigh by the fate of the imperious”

They marry her, but all suitors are refused:

“Buyanov got married: refusal. Ivan Petushkov - too. Hussar Pykhtin visited us ... "

At the family council, it was decided to go to Moscow, to the "fair fair of brides", but Tatyana remains indifferent to social life there:

“... Tanya, just like in a dream, she hears their speeches without participation ...”

“... Tatyana looks and does not see, the excitement of the world hates; she's stuffy here...

Far from everyone, and she herself seems an attractive bride:

“... they find her something strange, provincial and cutesy, and something pale and thin, but, by the way, very good-looking ...”

“Archival young men in a crowd look at Tanya stiffly and speak unfavorably about her among themselves”

The girl does not at all strive for general attention, but she is noticed:

“One sad jester finds her perfect…”

“... somehow Vyazemsky sat down with her ...”

“... an old man inquires about her, straightening his wig”

“Meanwhile, some important general keeps his eyes on her”

She marries at the insistence of the family, without love, for a man whom she does not like very much:

"Who? is this general fat?

From the time of marriage, the secular manners of the already closed Tatiana take on a shade of even friendliness towards everyone, beyond which it is impossible to look:

“... She was leisurely, not cold, not talkative…”

"... sweet careless charm ..."

Not participating in any intrigues, not competing with anyone, Tatyana commands the respect of society, her husband is very proud of her:

“Ladies moved closer to her; the old women smiled at her; the men bowed lower…”

“... and all above and nose and shoulders were raised by the general who entered with her ...”

During the time that has passed since the first meeting with Onegin, Tatyana learned, on his advice, to control herself:

“And whatever confused her soul, no matter how much she was surprised, amazed, nothing changed her: the same tone was preserved in her, her bow was just as quiet”

"... she sits calm and free"

Her true feelings will appear only in the final scene, when she, suffering, will tell Onegin what is sore, reproaching him for the past and pointing out to him the real motives of his current feelings for her:

“The princess in front of him, alone, sits, not cleaned, pale, reads some letter and quietly pours tears like a river”

“Why do you have me in mind? Is it not because I must now appear in the highest society; that I am rich and noble? ... Is it not because my shame would now be noticed by everyone, and could bring you seductive honor in society?

Now she shows nobility of character. Recognizing that she continues to love Onegin, Tatyana reminds both him and herself that she must remain faithful to her husband:

“I love you (why dissemble?), But I am given to another; I will be faithful to him forever"

Vladimir Lensky

Vladimir Lensky

Young nobleman 18 years old, attractive appearance, rich:

“... At almost eighteen years old ...”

"...Handsome, in full bloom of years..."

"... And black curls to the shoulders ..."

"... rich, good-looking ..."

Parents died:

“... and there, with an inscription of a sad father and mother, in tears, he honored the patriarchal ashes ...”

Philosopher and Poet:

"... an admirer of Kant and a poet ..."

Enthusiastic nature, up to exaltation, not fully formed:

"... and the mind, still in unsteady judgments, and eternally inspired gaze ..."

“... free-spirited dreams, an ardent and rather strange spirit, always enthusiastic speech ...”

He came from Germany immediately to the village, because he does not accept the rules according to which the high society exists:

"... he brought fruits of learning from foggy Germany ..."

“... I hate your fashionable light, dearer to me is the home circle ...”

Trusting and Ingenuous:

“... he innocently exposed his trusting conscience ...”

Believes in friendship and devotion:

“... he believed that his friends were ready to accept his chains for honor ...”

“... there are sacred friends chosen by the fate of people ...”

Rural society is perceived as an enviable groom:

“... Lensky was accepted everywhere as a groom ...”

However, from childhood, Vladimir was engaged to the youngest daughter of the neighbors Larins, Olga, and at the time of the story he was in love with her and was going to marry her:

“And friends-neighbors, their fathers predicted crowns for the children…”

"... Holguin's adorer has arrived..."

“Ah, he loved, as in our summer they no longer love ...”

“... he believed that his soul should unite with him, that, languishing despondently, she was waiting for him every day ...”

"... in two weeks a happy date was appointed"

His love is platonic.

"... he had a sweet heart, an ignoramus ..."

“... in the confusion of tender shame, he only dares sometimes, encouraged by Olga’s smile, to play with a developed curl or kiss the edge of clothes ...”

“... and meanwhile, two, three pages ... he skips, blushing ...”

After being challenged to a duel, seeing Olga and realizing that she does not even understand what happened, Lensky forgives her and no longer takes revenge on Onegin, but only wants to protect the bride from the corrupting influence:

“... I will be her savior. I will not tolerate a corrupter tempting a young heart with fire and sighs and praises ... "

Olga Larina

Vladimir Lensky and Olga Larina

Tatiana's younger sister:

"Are you in love with a smaller one?"

Charming chubby ruddy blonde doll appearance:

"... full of innocent charms ..."

"... linen curls ..."

"... Eyes like the sky are blue ..."

"Round, red-faced, she ..."

“Ah, dear, how prettier Olga’s shoulders are, what a chest!”

According to Onegin, she is beautiful, but absolutely uninteresting:

“Olga has no life in features. Exactly the same in the Vandykova Madonna "

The mind of the younger Larina is not particularly developed, she is simple-minded, to the point of stupidity:

"... how the life of a poet is simple-minded ..."

“Before this clarity of sight, before this tender simplicity, before this frisky soul!”

Because of this, the girl cannot appreciate the nature of Lensky and his attitude towards her:

“Vladimir would have written odes, but Olga did not read them”

Olga is the bride of Vladimir Lensky, willingly spends time with him and encourages his courtship, but is hardly capable of a strong feeling, which she speaks quite directly

“In her rest, they sit in the dark, two ...”

“They are in the garden, hand in hand, walking in the morning time ...”

“… Encouraged by Olga’s smile…”

“He was loved… or so he thought…”

Windy, does not know how to behave in society, compromises both himself and his fiancé, flirting with another:

"... and a blush brighter blazed in her proud face"

"Flirty, windy child!"

“She already knows the trick, she’s already taught to change!”

Sincerely does not understand the problems of the situation:

“Olenka jumped from the porch to meet the poor singer, like a windy hope, frisky, carefree, cheerful, well, exactly the same as she was”

“Why did the evening disappear so early?” Was the first Olenkin question "

In the parting scene before the duel, Olga, looking into the face of Lensky, whose heart is breaking with longing, only asks, “What is the matter with you?” and having received the answer "So", without further questions, he lets him go.

After the death of the groom in a duel, the girl quickly falls in love with another and marries him:

"She didn't cry for long..."

“The Lancer knew how to captivate her, the Lancer is loved by her soul…”

Based on the novel in verse by A. S. Pushkin, several films were shot, P. I. Tchaikovsky wrote an opera, which is staged on many stages of the world, and a musical was also created. Of course, it is difficult to compare them with the original, but they will also be interesting for getting to know the great work.

As the protagonist of the novel A.S. Pushkin "" embodied the type of "modern man" of the Pushkin era. He worked on the comprehension and artistic embodiment of this image for more than ten years.

Eugene Onegin- the personality is complex and deeply contradictory. On the one hand, he is selfish and cruel: “imbued with vanity, he possessed, moreover, a special pride that prompts him to admit with equal indifference both his good and bad deeds.” On the other hand, he is vulnerable, has a fine mental organization, he has a spirit that strives to gain freedom. It is these qualities that attract the attention of the reader and put the image of Eugene Onegin in a number of outstanding "heroes of our time." The reader's acquaintance with Eugene Onegin occurs already in the first chapter, which opens with the hero's internal monologue, filled with bilious irony and undisguised irritation. Before us appears a "young rake", who does not see the point in anything and is indifferent, it would seem, to everything in the world. He ironically sneers about his uncle's illness: this illness tore the young man away from his usual, but rather disgusting social life in St. Petersburg, but for the sake of money he is ready "for sighs, boredom and deceit."

At the beginning of Onegin's novel portrayed primarily through the author's narrative and descriptions. The first chapter gives us an idea of ​​the mental illness of Eugene Onegin and the origins of the "Russian melancholy" that took possession of him. The root cause of Onegin's melancholy, in my opinion, is the simultaneous subordination of the hero to society and entering into conflict with him. From childhood, Onegin's upbringing and education was not deep: the French tutor, "so that the child would not be exhausted, taught him everything jokingly." The consequences of this upbringing: Onegin was fluent in French, easily danced the mazurka, bowed naturally, thanks to which "the world decided that he was smart and very nice." In addition, Onegin was a recognized womanizer:

• How could he be new?
• Joking innocence to amaze
• To frighten with despair ready.
• To amuse with pleasant flattery.

Arises a natural question: is Onegin really just a frivolous, superficial person? It would seem that subsequent events fully confirm this idea. From a young age, he plunged headlong into secular life. But, having mastered to perfection the "science of tender passion", he soon cooled down to it. When he got bored with the light, he left it. Having cooled to life in society, in solitude, in the silence of the village, he woke up with pleasure at seven in the morning, swam in the river. But soon the village life bored him.

• In short: Russian melancholy
• She took possession of him little by little;
• He shoot himself, thank God,

This is the first author's "I" in the first moment it creates a unique friendly atmosphere, as well as the illusion of the author's presence in the world of heroes he created. But the functions of the author in the novel are not limited to this. He acts both as the creator of the work, determining the correlation of storylines, and as one of the characters in the novel, entering into direct and indirect contacts with other characters, as well as openly expressing his attitude towards them. Researchers of the novel also speak of its third function: the author appears on the pages of the novel as the poet Pushkin in all the unique originality of his creative appearance. The poet acquaints readers with certain facts of his biography, his views on poetry. One gets the impression that, having developed a certain literary program, Pushkin actively asserts it on the pages of the novel. As a creator, the author manifests himself, first of all, in the introduction* by presenting a number of his own experiences to the judgment of the readers:

• The careless fruit of my amusements.
• Insomnia, light inspirations,
• Immature and withered years
• Crazy cold observations
• And hearts of sad notes.

Pushkin's first chapter begins with an internal monologue of a hero not yet known to readers, and only later does he explain the role of this plot element: “And so I began my novel.” At the end of the novel, the poet decides "forever" to leave the hero "in an evil moment for him." Finishing the third chapter with a mention of the meeting of Onegin and Tatyana in the garden, the author tells the readers: “But the consequences of an unexpected meeting today, dear friends, I cannot retell; after a long speech, I should take a walk and rest ... ”Plunging into his own thoughts, the poet seems to forget about the existence of his heroes and, again, unexpectedly, recalls his direct duty as a storyteller:“ What about Onegin? By the way, brothers! I beg your patience…”

Describing events, which occurred after the duel, the author suddenly includes in his text a mention of a young townswoman who saw a simple inscription in the middle of the field: “and a tear clouds tender eyes.” Questions arise in the head of this city dweller related to the fate of the heroes of this sad story: what happened to Olga, where is her sister now, where is “this cloudy eccentric, the murderer of a young poet”? The author promises to illuminate the further fate of his heroes, but now:

• Other, cold dreams.
• Other, cold worries
• And in the noise of light and in silence
• They disturb the sleep of my soul.

Poet sometimes deliberately creates the illusion of copyright freedom in layout and selection artistic material. In this artificial device, on the one hand, one can see the intention of a skillful storyteller leading a casual but fascinating conversation with listeners-readers. But, on the other hand, this is the technique of a true master, who is fluent in his chosen manner of narration. The same techniques, although not at such a high level, are used by the creators of modern series, in which each of the series is a completely finished story in terms of plot, but in order to keep the attention of the audience, the authors resort to various tricks, including asserting their own the right to free layout and selection of artistic material.

The atmosphere of intimacy, friendly trust in the novel is created by the author's numerous appeals to the reader, such as:

• The ghost of a vain seeker,
• Works in vain without ruining,
• Love yourself
• Dear reader!

In another capacity- as one of the characters in the novel - the author speaks only in relation to Onegin. The author's indication of his personal contacts with Onegin distinguishes this image from other characters in the novel. The poet mentions his meeting with the hero in St. Petersburg. He also describes the first embarrassment that Onegin's manner of communication caused him: a caustic argument, a joke, with bile in half, the anger of gloomy epigrams. He also reports on the plans shared with Onegin "to see alien countries."

In the pages of a novel the author also appears as a poet, formulating his own literary credo and defining his own creative tasks. In connection with the image of Lensky, a romantic poet, with a pure heart, open to ideal love and friendship, Pushkin enters into polemics with writers who downplay the merits of elegy as a genre of lyrics. Speaking about the fact that he dedicates elegies to Olga, which are full of “living truth”, the poet notes the importance of this genre and recalls in this regard the work of the elegiac poet N.M. Yazykov:

So you, inspired tongues, In the impulses of your heart, F, Sing God knows who ...

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Homework on the topic: The image and characterization of Eugene Onegin in the novel by A.S. Pushkin.